Free Ebook The Bonesetter's Daughter, by Amy Tan

Free Ebook The Bonesetter's Daughter, by Amy Tan

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The Bonesetter's Daughter, by Amy Tan

Free Ebook The Bonesetter's Daughter, by Amy Tan

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Amazon.com Review

At the beginning of Amy Tan's fourth novel, two packets of papers written in Chinese calligraphy fall into the hands of Ruth Young. One bundle is titled Things I Know Are True and the other, Things I Must Not Forget. The author? That would be the protagonist's mother, LuLing, who has been diagnosed with Alzheimer's disease. In these documents the elderly matriarch, born in China in 1916, has set down a record of her birth and family history, determined to keep the facts from vanishing as her mind deteriorates. A San Francisco career woman who makes her living by ghostwriting self-help books, Ruth has little idea of her mother's past or true identity. What's more, their relationship has tended to be an angry one. Still, Ruth recognizes the onset of LuLing's decline--along with her own remorse over past rancor--and hires a translator to decipher the packets. She also resolves to "ask her mother to tell her about her life. For once, she would ask. She would listen. She would sit down and not be in a hurry or have anything else to do." Framed at either end by Ruth's chapters, the central portion of The Bonesetter's Daughter takes place in China in the remote, mountainous region where anthropologists discovered Peking Man in the 1920s. Here superstition and tradition rule over a succession of tiny villages. And here LuLing grows up under the watchful eye of her hideously scarred nursemaid, Precious Auntie. As she makes clear, it's not an enviable setting: I noticed the ripe stench of a pig pasture, the pockmarked land dug up by dragon-bone dream-seekers, the holes in the walls, the mud by the wells, the dustiness of the unpaved roads. I saw how all the women we passed, young and old, had the same bland face, sleepy eyes that were mirrors of their sleepy minds. Nor is rural isolation the worst of it. LuLing's family, a clan of ink makers, believes itself cursed by its connection to a local doctor, who cooks up his potions and remedies from human bones. And indeed, a great deal of bad luck befalls the narrator and her sister GaoLing before they can finally engineer their escape from China. Along the way, familial squabbles erupt around every corner, particularly among mothers, daughters, and sisters. And as she did in her earlier The Joy Luck Club, Amy Tan uses these conflicts to explore the intricate dynamic that exists between first-generation Americans and their immigrant elders. --Victoria Jenkins

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From Publishers Weekly

In its rich character portrayals and sensitivity to the nuances of mother-daughter relationships, Tan's new novel is the real successor to, and equal of, The Joy Luck Club. This luminous and gripping book demonstrates enhanced tenderness and wisdom, however; it carries the texture of real life and reflects the paradoxes historical events can produce. Ruth Young is a 40-ish ghostwriter in San Francisco who periodically goes mute, a metaphorical indication of her inability to express her true feelings to the man she lives with, Art Kamen, a divorced father of two teenage daughters. Ruth's inability to talk is subtly echoed in the story of her mother LuLing's early life in China, which forms the long middle section of the novel. Overbearing, accusatory, darkly pessimistic, LuLing has always been a burden to Ruth. Now, at 77, she has Alzheimer's, but luckily she had recorded in a diary the extraordinary events of her childhood and youth in a small village in China during the years that included the discovery nearby of the bones of Peking Man, the Japanese invasion, the birth of the Republic and the rise of Communism. LuLing was raised by a nursemaid called Precious Auntie, the daughter of a famous bonesetter. Once beautiful, Precious Auntie's face was burned in a suicide attempt, her mouth sealed with scar tissue. When LuLing eventually learns the secrets of Precious Auntie's tragic life, she is engulfed by shame and guilt. These emotions are echoed by Ruth when she reads her own mother's revelations, and she finally understands why LuLing thought herself cursed. Tan conjures both settings with resonant detail, juxtaposing scenes of rural domestic life in a China still ruled by superstition and filial obedience, and of upscale California half a century later. The novel exhibits a poignant clarity as it investigates the dilemma of adult children who must become caretakers of their elderly parents, a situation Tan articulates with integrity and exemplary empathy for both generations. Agent, Sandy Dijkstra. (Feb. 19) Forecast: With a readership already clamoring for the book, and Tan embarking on a 22-city tour, this novel will be a sure hit; its terrific sepia-tinted cover photo of a woman in old China only adds to its allure. Moreover, readers will be intrigued by Tan's hint that this story about family secrets is semi-autobiographical. The dedication reads: "On the last day my mother spent on earth, I learned her real name, as well as that of my grandmother." Copyright 2000 Reed Business Information, Inc.

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Product details

Hardcover: 400 pages

Publisher: Putnam Adult (February 19, 2001)

Language: English

ISBN-10: 0399146431

ISBN-13: 978-0399146435

Product Dimensions:

6.3 x 1.3 x 9.3 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

578 customer reviews

Amazon Best Sellers Rank:

#873,596 in Books (See Top 100 in Books)

I am never disappointed by Amy Tan's writing. Rich in history, brimming with character development as well as a truly gripping plot, she never fails to grab your hand and take you to a place within the Chinese culture you will not soon forget. She crafts her novels so well, I paint pictures in my mind of all the characters and geographical locations as I read. Tan provides a reading experience complete with illustrations of my own making; her words the medium, my imagination, the brush. I read "The Joy Luck Club" many years ago. I was so pleased to find so many of her other books available to download to my Kindle. Every page and every word surpassed this reader's expectations.

The Bonesetter's Daughter is vintage Amy Tan - fascinating interplay between traditional life in China in the past, and today's lives of Chinese Americans. Her familiar motif is learning from the past to make better adjustments to our present lives. I gave this four stars, not five, because for me the beginning chapters about the protagonist's difficulties in her American life were too long and repetitive. But once Ruth, the young Chinese American struggling with her mother, gets a translator for her mother's handwritten memoirs, the book came completely alive for me. Ruth begins to find out the truth about her mother's past life. This section is a novel within a novel, and since her mother escapes from China and comes to America, this part of the book might well have made a more powerful novel on its own. In the segment on the present, Ruth's mother is approaching dementia, manipulative, negative, and secretive. Ruth herself is rather uninteresting, and her lover's daughters are irritating. Worst of all, Ruth's mother is palpably unpleasant. In her memoirs, however, she is revealed to be strong, wrong-headed as young people often are, and yet brave and loving. How on earth did this interesting and fully developed woman become the harridan mother of the first part of the book? The picture of China during the Japanese invasion and just before, during China's initiation into the world of early paleontology, is fascinating and new to me, and quite beautifully delineated. And the anti-secret message is more complicated than usual in Tan's novels: keeping secrets, she suggests here, can be either life-saving or deadly, and maturity may well be learning when to keep information to ourselves, and when it is vital to be open. Wonderful.

First I can say that I love Amy Tan and her writing style. She gets to the heart of the Mother/Daughter relationship and here she explores it from the point of view of each. From modern day Ruth to her mother and her story allowing us to have more empathy for a character that when we first meet her, we don't really feel a lot of sympathy for her. But, once we learn the story of Lu Ling and the struggles she endured as a young woman, we come not only to appreciate her, but to appreciate Ruth more too. I learn so much when I read one of Amy's stories; about ancient China and the customs that shaped it's people. I found the story mostly a page turner and it kept me engrossed and I hated for it to end.

This is at times a heart wrenching story of courage and survival. On the surface you see an elderly Chinese woman living in USA and slowly losing her memory. But Luling has lived through enormous world events and cultural change.She lived in a small village just outside Peking (Beijing) and the author ties in the archaeological find of Peking Man, to show the contrast between ancient and modern beliefs. She is a believable, loveable, frustrating but brave woman who I would love to meet. It makes you think about what traits you inherit from your mother, and how we all have an inner strength to protect and advance our children.

I have recommended this book, or The Joy Luck Club, to our church book club. I don't believe they have ever read one of Ms. Tan's works, and I think they would enjoy her as much as I do. Her writing is an entirely different genre than what we get from the usual European/Anglo-American writers that we often study. As most of our members are women, and most are either "mature" or "senior" women, I think they would really enjoy how this author often deals with the interactions between several generations of women. The experiences of the older generation Chinese women are so different from what their daughters and granddaughters are going through, and from anything that any of us has experienced, that they make for fascinating, if still somewhat sad and often horrifying, reading. I highly recommend this book.

This engaging story of the past informing the present, mother / daughter relationships and the meaning of memory is beautifully executed. I throughly enjoy Amy Tan and would recommend this book, as I would her others. My only reservation is that all ends are so neatly tied up at the end, that it feels a little untrue to this otherwise delightfully chaotic and, at times, messy narrative both mother and daughter have been a part of.

Her stories always start out exciting, then her stories jump around from one subject to another. It's hard to understand what the plot of the book is.

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