Free Ebook A Fine Disregard: What Makes Modern Art ModernBy Kirk Varnedoe

Free Ebook A Fine Disregard: What Makes Modern Art ModernBy Kirk Varnedoe

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A Fine Disregard: What Makes Modern Art ModernBy Kirk Varnedoe

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Book by Varnedoe, Kirk

• Sales Rank: #603749 in Books
• Brand: Brand: Harry N. Abrams
• Published on: 1994-04-01
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.00" w x 7.25" l,
• Binding: Paperback
• 319 pages

Features

• Used Book in Good Condition

From Publishers Weekly
Taking on critics of all stripes, Varnedoe argues that modern art was not deterministically shaped by the grinding-wheel of social forces, new technologies or foreign influences. The flatness of Degas's pictorial space, he contends, owes less to Japanese prints or photography than to an unprecedented late-19th-century burst of experimentation with perspective. In Picasso's and Gauguin's primitivism, Varnedoe discerns a process of pulling objects out of their original contexts in order to alter our way of seeing. With reference to 286 plates (one-third in color), he shows how artists have changed the rules as he considers the devices of fragmentation (from Rodin to Pop Art) and the use of an overhead view (from Andre Kertesz's aerial photographs to Robert Smithson's Spiral Jetty earthwork). Director of painting and sculpture at New York's Museum of Modern Art, Varnedoe makes a novel case for modern art as an opening up of human potential driven by individual creativity.
Copyright 1990 Reed Business Information, Inc.

From Library Journal
This is a group of four broadly connected essays attempting to define that now-old question, What is modern art about? Varnedoe (director of painting and sculpture, Museum of Modern Art) identifies four characteristics--juxtaposition of near and far, fragmentation and repetition, primitivism, and a viewpoint from above--which he discusses in the context of art from 1870 to 1950. His insights and readings of the facts are frequently fresh and provocative, if not always convincing. Less documentary than Robert Hughes's Shock of the New , Varnedoe's essays are occasionally mixed in tone, as though given as lectures. Nevertheless, this is a serious work on modern art; recommended.
- Jack Perry Brown, Ryerson & Burnham Libs., Art Inst . of Chicago
Copyright 1990 Reed Business Information, Inc.

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Get Free Ebook How to Draw: drawing and sketching objects and environments from your imagination, by Scott Robertson Thomas Bertling

Get Free Ebook How to Draw: drawing and sketching objects and environments from your imagination, by Scott Robertson Thomas Bertling

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How to Draw: drawing and sketching objects and environments from your imagination, by Scott Robertson Thomas Bertling

Get Free Ebook How to Draw: drawing and sketching objects and environments from your imagination, by Scott Robertson Thomas Bertling

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About the Author

Scott Robertson has almost two decades of experience teaching how to design, draw, and render at the highest college level. He has authored or co-authored 11 books on design and concept art. In addition to books, he has co-produced over 40 educational DVDs with The Gnomon Workshop, of which nine feature his own lectures. For several years, Scott chaired the Entertainment Design department at Art Center College of Design. He frequently lectures around the world for various corporations, colleges, and through his own workshop brand, SRW. In addition to teaching, Scott has worked on a wide variety of projects ranging from vehicle and alien designs for the Hot Wheels animated series Battle Force Five, to theme park attractions such as the Men in Black ride in Orlando, Florida for Universal Studios. Some of his clients include the BMW subsidiary Design-works/USA, Bell Sports, Giro, Mattel Toys, Spin Master Toys, Patagonia, the feature film Minority Report, Nike, Rockstar Games, Sony Online Entertainment, Sony Computer Entertainment of America, Buena Vista Games, THQ, and Fiat to name just a few.

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Product details

Paperback: 208 pages

Publisher: Design Studio Press (December 15, 2013)

Language: English

ISBN-10: 1933492732

ISBN-13: 978-1933492735

Product Dimensions:

9.1 x 0.8 x 11 inches

Shipping Weight: 2.4 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

365 customer reviews

Amazon Best Sellers Rank:

#16,493 in Books (See Top 100 in Books)

I been drawing for a very long time. Worked in comics and all kinds of illustrations. But do I wish I had this book a long long time ago.For me since I got into drawing really first though architectural drafting, before deciding I want to draw comics. This book would have made the transition a lot easier. This book took me back to the days I was drafting and Honestly found it a lot easier to draw objects in 3D coming from that POV. I always had trouble drawing more complex objects like cars in perspective. Which is essential when doing comics and illustrations. But this books approach was just what I needed.I acted as a bridge from the left brain functions of the brain when it comes to drawing to the right brain. and understanding the difference really made drawing anything, especially drawing from the imagination a lot easier. I think on the outside it looks like a basic book. But it’s really technical and unlike any other books I have read.I think cause of the reputation of the author and courses he has developed in concept art in many forms. The book is mostly known by concept artist. But I would equally recommend it to any artist. Now the only turn off I might see some artist have is that it’s so technical and much like the authors experience is based on drafting and industrial design. and one might think well I don’t need that. But if you really want to improve and take your skills to new level this stuff is really fundamental.I loved the book. The videos are a much added plus. and to really get the most out of this book. Like any book on art. you have to do the exercises. It’s a lot of work but its really worth it. The prices might seem like a lot but the links to the videos and other resources more then give this book a lot of bang for your buck.Highly recommend this book no matter what style your after cause this is about foundational skill every artist needs.

This book is just fantastic and is utterly a case of you get out of it what you put in.I have spent time daily in it over the past 4 months, working through it with every bit of dedication I gave my previous mechanical engineering studies and I have benefited massively. If you approach it with your sleeves rolled up and constantly try out what you read on paper, you'll grow a lot artistically. It is also utterly essential that you go through the videos, from which you will learn as much, if not more, than from the book (a link and pswrd is provided in the book); here is where you actually see the author drawing, and can really analyze his movements and methods, and he drops a lot of hints and tricks. I took copious notes as I went through these, and worked along in parallel as I watched. The attached show some of the drawings I produced based on Scott's instructions (I clearly still have a long ways to go, but would never have believed could have created these several months ago!). There are certain themes that come up over and over again which you can't help but absorb, much like taking a class.If this is your only reference and you are determined to rigorously understand perspective, I think you'll find the explanations to be less than complete, and the organize of chapters 2 thru 4 to be less than perfect. Broad principles are not so much stated as they are demonstrated; I didn't mind this challenge, though, and it made me go deep with the subject and extract what I saw as the unifying principles (this is in regard to understanding line convergence in general 3D space). I got to the bottom of this by working through my own derivations.The author demonstrates really fantastic craftsmanship, artistry, and creativity, and is a very strong communicator. I wish he got a little more pumped up/energetic in the videos, but I suppose the quality and volume of his work speak to his profound underlying passion for it. He manages to break down complex constructions to be utterly doable. Amazing. Right now I am starting in on the sequel "How to Render". Overall, I think this is a simply fantastic track to get on if you are a beginning and want to massively improve your drawing skills; going this direction you are basically aligning with a top instructor from one of the best design institutes in the world (Art Center College of Design). We owe a huge debt of gratitude to Mr. Robertson for this work.

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PDF Download Urban Tumbleweed: Notes from a Tanka DiaryBy Harryette Mullen

PDF Download Urban Tumbleweed: Notes from a Tanka DiaryBy Harryette Mullen

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Urban Tumbleweed: Notes from a Tanka DiaryBy Harryette Mullen

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"Harryette Mullen is a magician of words, phrases, and songs . . . No voice in contemporary poetry is quite as original, cosmopolitan, witty, and tragic." ―Susan Stewart, citation for the Academy of American Poets Fellowship

Urban tumbleweed, some people call it,
discarded plastic bag we see in every city
blown down the street with vagrant wind.
―from Urban Tumbleweed

Urban Tumbleweed is the poet Harryette Mullen's exploration of spaces where the city and the natural world collide. Written out of a daily practice of walking, Mullen's stanzas adapt the traditional Japanese tanka, a poetic form suited for recording fleeting impressions, describing environmental transitions, and contemplating the human being's place in the natural world. But, as she writes in her preface, "What is natural about being human? What to make of a city dweller taking a ‘nature walk' in a public park while listening to a podcast with ear-bud headphones?"

• Sales Rank: #399061 in Books
• Brand: Brand: Graywolf Press
• Published on: 2013-11-05
• Released on: 2013-11-05
• Original language: English
• Number of items: 1
• Dimensions: 7.05" h x .41" w x 5.02" l, .34 pounds
• Binding: Paperback
• 120 pages

Features

• Used Book in Good Condition

Review

“A gorgeous book. . . . The tankas are delightful because they evoke the jubilation of discovery that the practice of seeing and then finding language to give life to what one sees is like, the very core of what poetry can do. . . . Mullen brings her love of form and syntax to a rhetorical intersection with the transitory natural world in an exciting portrayal of postmodern ecology, an ambitious and subtle work.” ―NPR

“Mullen is a walker, and in many ways, this is a walker's diary, a record of her interactions with the city at the level of its streets. But even more, it is a portrait of her mind in the act of reflection, sharply observed and deeply felt.” ―David Ulin, Los Angeles Times, "Top Books for Fall"

“Tanka after tanka, [Mullen] illustrates the landscape with brevity, humor and crisp detail. . . . Mullen is a magician. . . . The book is an instant classic.” ―KCET LA Letters

“The pleasure in reading this minor masterpiece from one of America's best poets comes from its invitation to contemplate, to actually see and feel all the small delights of the world of which we are so often unaware. This book makes us envy the opportunity for introspection that it delivers, and it has the power to reinvigorate our relationship with the world outside our windows.” ―Coldfront, "Top 40 Poetry Books of 2013"

About the Author
Harryette Mullen is the author of seven books, including Recyclopedia and Sleeping with the Dictionary. She teaches in the English department and African American Studies program at the University of California, Los Angeles.

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